You can select the filter type from the drop-down menu below. Mod y controls the resonance, which will create a boost or dip at the cutoff point. Mod x is the cutoff knob, which determines at what frequency the sound will be filtered out. These settings apply to the LFOs for each envelope including pan, volume, mod x, mod y and pitch. Without it, the LFO will start over with each new note. Selecting GLOBAL will allow the LFO to continue its cycle as you play new notes. If you select TEMPO, it will match the LFO rates to the project tempo. The SPEED knob controls the rate of the selected waveform in the LFO. The AMT knob controls the range of the LFO. Increasing the ATT knob will fade in the attack, or start of the LFO. The delay knob will postpone when the LFO becomes active. At the top, you have 3 different LFO shapes including sine, triangle and square from left to right. The blue LFO pictured above controls the volume envelope. There is an LFO automatically assigned to each of the envelope types and filter controls. This is located in the second tab of the sampler channel that is labeled with the automation icon. First, let’s go over the LFO located in the sampler channels. You can also access LFOs in sampler channels, piano roll, playlist and even through FX plugins like Fruity Peak Controller. In FL Studio, many of the stock virtual synths like 3xOsc and Sytrus have LFOs built into them.
This is useful for imitating someone turning a knob up and down over and over again at whatever rate you set the LFO to, without physically needing an actual person to do it. If you assign an LFO to either of those parameters, the signal levels will follow the LFO settings in terms of shape, speed, etc.
Still, this frequency creates an electrical signal that can be used to modulate parameters of other signals. If you spun it slow enough, you wouldn’t hear any sound at all because the cycle (oscillation) is too slow. Imagine spinning that same yoyo at a very slow rate (low frequency).
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